Bibliography on absolute pitch (1910-1919)

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    + 1919

  1. Gilbert J Rich (1919), "A study of tonal attributes", American Journal of Psychology, 30:121-64.
    [html]

  2. Carl Emil Seashore (1919) The Psychology of Musical Talent (University of Michigan).
    [google book]

    + 1918

  3. RM Ogden (1918), "Hearing", Psychological Bulletin, 15(3):76-85
    [abstract]

    + 1917

  4. John W Baird (1917), "Memory for absolute pitch", in Studies in Psychology: Titchener Commemorative Volume, pp.43-78 (Louis N Wilson, Worcester, MA).
    [html]

  5. Edward H Cameron (1917), "Effects of practice in the discrimination and singing of tones", Psychological Monographs, 23(3):159-180.
    [html]

  6. EE Perfield (1917), "Absolute pitch", The Musician, 22:413-?
    [html]

    + 1916

  7. Evelyn Fletcher Copp (1916), "Musical ability", Journal of Heredity, 7:297-305
    [html] [PDF]

  8. AW Kramer (1916), "To teach absolute pitch by color sense", Musical America, 25(1):19-?.

    + 1915

  9. Wolfgang Kohler (1915), "Akustische untersuchungen III" (in German), Zsch. f. Psychol., 72:159-177.

    + 1914

  10. Franklin O Smith (1914), "The effect of training in pitch discrimination", Psychological Monographs, 16(3):67-103.
    [html]

    + 1913

  11. Geza Revesz (1913) Zur Grundlegung der Tonpsychologie (in German) (Veit, Leipzig).
    [html]

    + 1912

  12. Hugo Riemann (1912), "Tonhohenbewusstsein und Intervallurteil", Zeitschrift Internationalen Musikgesellschaft, 13:269-272.
    [html]

    + 1911

  13. CW Wilson (1911), "The gift of absolute pitch", Musical Opinion & Music Trade Review, 34:753-754.
    [html]