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Bibliography on absolute pitch (1993)
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A Lang (1993),
"Absolute Gehor", in
eds.H Bruhn, R Oerter, H Rosing
Musikpsychologie. Ein Handbuch
(Reinbek, Hamburg), pp.558-564.
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K Miyazaki (1993),
"Absolute pitch as an inability:
identification of musical intervals in a tonal context",
Music Perception, 11:55-72.
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A Rakowski (1993),
"Categorical perception in absolute pitch",
Archives of Acoustics Quarterly, 18:515-523.
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A Sakakibara (1993),
"How well do absolute pitch possessors identify tone height and
tone chroma?: effects of training to acquire absolute pitch",
Japanese Journal of Educational Psychology, 41(1):85-92.
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Sumi Shigeno (1993),
"The interdependence of pitch and temporal judgments by absolute pitch possessors",
Perception and Psychophysics, 54(5):682-692.
[PDF]
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AH Takeuchi,
SH Hulse (1993),
"Absolute pitch",
Psychological Bulletin, 113:345-361.
[abstract]
[PDF]
[... evidence points toward the early-learning theory.
This theory states that AP can be learned by anyone during a
limited period early in development, up to the age 6, after which
a general developmental shift from perceiving individual features
to perceiving relations among features makes AP difficult or impossible
to acquire.]
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M Tervaniemi, K Alho, P Paavilainen, M Sams,
R Naatanen (1993),
"Absolute pitch and event-related brain potentials",
Music Perception, 10:305-316.
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