bib absolute pitch (2000)

Bibliography on absolute pitch (2000)

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S Baharloo, SK Service, N Risch, J Gitschier, NB Freimer (2000), "Familial aggregation of absolute pitch", American Journal of Human Genetics, 67:755-758.
A Bonnel, L Mottron, I Peretz, M Trudel, E Gallun, AM Bonnel (2000), "Enhanced pitch sensitivity in individuals with autism: a signal detection analysis", Journal of Cognitive Neuroscience, 15(2):226-35.
K Katanoda, K Yoshikawa, M Sugishita (2000), "Strong rightward asymmetry of the planum parietale associated with the ability of absolute pitch", in ed. T Nakada Integrated Human Brain Science: Theory, Method, Application (music), pp. 487-91 (Elsevier, Amsterdam().
CL Krumhansl (2000), "Rhythm and pitch in music cognition", Psychological Bulletin, 126:159-179.
[PDF]
EW Marvin, AR Brinkman (2000), "The effect of key color and timbre on absolute pitch recognition in musical contexts", Music Perception, 18(2):111-137.
K Miyazaki (2000), "Interaction in musical-pitch naming and syllable naming: an experiment on a Stroop-like effect in hearing", in ed. T Nakada Integrated Human Brain Science: Theory, Method, Application (Music), pp. 415-423 (Elsevier, Amsterdam).
L Mottron, I Peretz, E Menard (2000), "Local and global processing of music in high-functioning persons with autism: beyond central coherence?", Journal of Child Psychology and Psychiatry, 41(8):1057-1065.
Christo Pantev, Bernd Lutkenhoner (2000), "Magnetoencephalographic studies of functional organization and plasticity of the human auditory cortex", Journal of Clinical Neurophysiology, 17(2):130-142.
[ abstract]
JR Saffran, M Loman, R Robertson (2000), "Infant memory for musical experiences", Cognition, 77:B15-B23.
O Vitouch, A Gaugusch (2000), "Absolute recognition of musical keys in non-absolute-pitch possessors", in eds. C Woods, G Luck, R Brochard, F Seddon, JA Sloboda Proceedings of the 6th International Conference on Music Perception and Cognition, (Department of Psychology, Keele University).

		Bibliography on absolute pitch (2000)
	front page 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1980s 1970s 1960s 1950s 1940s 1930s 1920s 1910s 1900s 19th century glossary links	S Baharloo, SK Service, N Risch, J Gitschier, NB Freimer (2000), "Familial aggregation of absolute pitch", American Journal of Human Genetics, 67:755-758. A Bonnel, L Mottron, I Peretz, M Trudel, E Gallun, AM Bonnel (2000), "Enhanced pitch sensitivity in individuals with autism: a signal detection analysis", Journal of Cognitive Neuroscience, 15(2):226-35. K Katanoda, K Yoshikawa, M Sugishita (2000), "Strong rightward asymmetry of the planum parietale associated with the ability of absolute pitch", in ed. T Nakada Integrated Human Brain Science: Theory, Method, Application (music), pp. 487-91 (Elsevier, Amsterdam(). CL Krumhansl (2000), "Rhythm and pitch in music cognition", Psychological Bulletin, 126:159-179. [PDF] EW Marvin, AR Brinkman (2000), "The effect of key color and timbre on absolute pitch recognition in musical contexts", Music Perception, 18(2):111-137. K Miyazaki (2000), "Interaction in musical-pitch naming and syllable naming: an experiment on a Stroop-like effect in hearing", in ed. T Nakada Integrated Human Brain Science: Theory, Method, Application (Music), pp. 415-423 (Elsevier, Amsterdam). L Mottron, I Peretz, E Menard (2000), "Local and global processing of music in high-functioning persons with autism: beyond central coherence?", Journal of Child Psychology and Psychiatry, 41(8):1057-1065. Christo Pantev, Bernd Lutkenhoner (2000), "Magnetoencephalographic studies of functional organization and plasticity of the human auditory cortex", Journal of Clinical Neurophysiology, 17(2):130-142. [ abstract] JR Saffran, M Loman, R Robertson (2000), "Infant memory for musical experiences", Cognition, 77:B15-B23. O Vitouch, A Gaugusch (2000), "Absolute recognition of musical keys in non-absolute-pitch possessors", in eds. C Woods, G Luck, R Brochard, F Seddon, JA Sloboda Proceedings of the 6th International Conference on Music Perception and Cognition, (Department of Psychology, Keele University).