bib absolute pitch (2002)

Bibliography on absolute pitch (2002)

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Jennifer N Alfaro (2002) Automatic Auditory Processing of Musical and Phonemic Sounds: Differences Between Musicians and Nonmusicians Master Thesis (Virginia Polytechnic Institute and State University).
J Ayotte, I Peretz, K Hyde (2002), "Congenital amusia: a group study of adults afflicted with a music-specific disorder", Brain, 125:238-251.
E Baeck (2002), "The neural networks of music", European Journal of Neurology, 9(5):449-456.
[ abstract]
TR Bergeson, SE Trehub (2002), "Absolute pitch and tempo in mothers' songs to infants", Psychological Science, 13(1):72-75.
Martin Braun (2002), "Absolute pitch in emphasized speech", Acoustics Research Letters Online, 3:77-82.
[PDF]
Walter A Brown, Henry Sachs, Karen Cammuso, Susan E Folstein (2002), "Early music training and absolute pitch", Music Perception, 19(4):595-597
[ abstract]
D Deutsch (2002), "The puzzle of absolute pitch", Current Directions in Psychological Science, 11:200-204.
[PDF]
W Fujisaki, M Kashino (2002), "The basic hearing abilities of absolute pitch possessors", Acoustic Science and Technology, 23:77-83.
Elizabeth Gillman, Geoffrey Underwood, and John Morehen (2002), "Recognition of Visually Presented Musical Intervals", Psychology of Music, 30(1):48-57.
[ abstract]
Timothy D Griffiths (2002), "Central auditory processing disorders", Current Opinion in Neurology, 15(1):31-33.
[abstract]
Timothy D Griffiths (2002), "Central auditory pathologies", British Medical Bulletin, 63:107-120.
[abstract]
Hiroyuki Hirose, Masaya Kubota, Ikumi Kimura, Maki Ohsawa, Masato Yumoto, Yoichi Sakakihara (2002), "People with absolute pitch process tones with producing P300", Neuroscience Letters, 330(3):247-250.
[ abstract]
Unni L Hoel (2002), Absolute Pitch (1st Book Library). ISBN 0759686513
Peter R. Huttenlocher (2002) Neural Plasticity: The Effects of Environment on the Development of the Cerebral Cortex (Harvard University Press). ISBN 0674007433
K Miyazaki, A Rakowski (2002), "Recognition of notated melodies by possessors and nonpossessors of absolute pitch", Perception and Psychophysics, 64:1337-1345.
[abstract]
Thomas F Munte, Eckart Altenmuller, Lutz Jancke (2002) "The musician's brain as a model of neuroplasticity", Nature Reviews Neuroscience, 3:473-478.
[abstract]
I Peretz, J Ayotte, R Mehler, P Ahad, V Penhune, B Jutras (2002), "Congenital amusia: a disorder of fine-grained pitch discrimination", Neuron, 33:185-191.
Herve Platel (2002), "Neuropsychology of musical perception: new perspectives" (editorial), Brain, 125(2):223-224.
[abstract]
Sabine Schneider (2002), Memory for Sounds in Nusician, Non-musician and Musician with Absolute Pitch Diploma Thesis (in Psychology) (Otto von Guericke University Magdeburg).
Chen-Hsin Wu (2002), Absolute Pitch: The Relationship among Pitch Identification, Pitch Discrimination and Pitch Production Master (of Musical Education) Thesis (Indiana University).

		Bibliography on absolute pitch (2002)
	front page 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1980s 1970s 1960s 1950s 1940s 1930s 1920s 1910s 1900s 19th century glossary links	Jennifer N Alfaro (2002) Automatic Auditory Processing of Musical and Phonemic Sounds: Differences Between Musicians and Nonmusicians Master Thesis (Virginia Polytechnic Institute and State University). J Ayotte, I Peretz, K Hyde (2002), "Congenital amusia: a group study of adults afflicted with a music-specific disorder", Brain, 125:238-251. E Baeck (2002), "The neural networks of music", European Journal of Neurology, 9(5):449-456. [ abstract] TR Bergeson, SE Trehub (2002), "Absolute pitch and tempo in mothers' songs to infants", Psychological Science, 13(1):72-75. Martin Braun (2002), "Absolute pitch in emphasized speech", Acoustics Research Letters Online, 3:77-82. [PDF] Walter A Brown, Henry Sachs, Karen Cammuso, Susan E Folstein (2002), "Early music training and absolute pitch", Music Perception, 19(4):595-597 [ abstract] D Deutsch (2002), "The puzzle of absolute pitch", Current Directions in Psychological Science, 11:200-204. [PDF] W Fujisaki, M Kashino (2002), "The basic hearing abilities of absolute pitch possessors", Acoustic Science and Technology, 23:77-83. Elizabeth Gillman, Geoffrey Underwood, and John Morehen (2002), "Recognition of Visually Presented Musical Intervals", Psychology of Music, 30(1):48-57. [ abstract] Timothy D Griffiths (2002), "Central auditory processing disorders", Current Opinion in Neurology, 15(1):31-33. [abstract] Timothy D Griffiths (2002), "Central auditory pathologies", British Medical Bulletin, 63:107-120. [abstract] Hiroyuki Hirose, Masaya Kubota, Ikumi Kimura, Maki Ohsawa, Masato Yumoto, Yoichi Sakakihara (2002), "People with absolute pitch process tones with producing P300", Neuroscience Letters, 330(3):247-250. [ abstract] Unni L Hoel (2002), Absolute Pitch (1st Book Library). ISBN 0759686513 Peter R. Huttenlocher (2002) Neural Plasticity: The Effects of Environment on the Development of the Cerebral Cortex (Harvard University Press). ISBN 0674007433 K Miyazaki, A Rakowski (2002), "Recognition of notated melodies by possessors and nonpossessors of absolute pitch", Perception and Psychophysics, 64:1337-1345. [abstract] Thomas F Munte, Eckart Altenmuller, Lutz Jancke (2002) "The musician's brain as a model of neuroplasticity", Nature Reviews Neuroscience, 3:473-478. [abstract] I Peretz, J Ayotte, R Mehler, P Ahad, V Penhune, B Jutras (2002), "Congenital amusia: a disorder of fine-grained pitch discrimination", Neuron, 33:185-191. Herve Platel (2002), "Neuropsychology of musical perception: new perspectives" (editorial), Brain, 125(2):223-224. [abstract] Sabine Schneider (2002), Memory for Sounds in Nusician, Non-musician and Musician with Absolute Pitch Diploma Thesis (in Psychology) (Otto von Guericke University Magdeburg). Chen-Hsin Wu (2002), Absolute Pitch: The Relationship among Pitch Identification, Pitch Discrimination and Pitch Production Master (of Musical Education) Thesis (Indiana University).