bib absolute pitch (2003)

Bibliography on absolute pitch (2003)

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Paulo E Andrade, Joydeep Bhattacharya (2003), "Brain tuned to music", Journal of the Royal Society of Medicine, 96:284-287.
[html]
Laura Bischoff-Renninger, Roni I Granot, Emanuel Donchin (2003), "Absolute pitch and the P300 component of the event-related potential: an exploration of variables that may account for individual differences", Music Perception, 20(4):357-382.
[ abstract]
A Bonnel, L Mottron, I Peretz, M Trudel, E Gallun, AM Bonnel (2003), "Enhanced pitch sensitivity in individuals with autism: a signal detection analysis", Journal of Cognitive Neuroscience, 15(2):226-235.
[PDF]
Walter A Brown, Karen Cammuso, Henry Sachs, Brian Winklosky, Julie Mullane, Raphael Bernier, Sarah Svenson, Deborah Arin, Beth Rosen-Sheidley, Susan E Folstein (2003), "Autism-related language, personality, and cognition in people with absolute pitch: results of a preliminary study", Journal of Autism and Developmental Disorders, 33(2):163-167.
[ abstract]
CS Chin (2003), "The development of absolute pitch: a theory concerning the roles of music training at an early developmental age and individual cognitive style", Psychology of Music, 31(2):155-171.
[ abstract]
D Deutsch (2003), "Absolute pitch - a connection between music and speech?", Bulletin of Psychology and the Arts, 4:19-21.
Jessica M Foxton, Mary E Stewart, Louise Barnard, Jacqui Rodgers, Allan H Young, Gregory O'Brien, Timothy D Griffiths (2003), "Absence of auditory 'global interference' in autism", Brain, 126(12):2703-2709.
[abstract]
N Gaab, J P Keenan, G Schlaug (2003), "The effects of gender on the neural substrates of pitch memory", Journal of Cognitive Neuroscience, 15(6):810-820.
[abstract]
N Gaab, G Schlaug (2003), "The Effect of musicianship on pitch memory in performance matched groups", Neuroreport, 14:2291-2295.
[abstract]
Pamela Heaton (2003), "Pitch memory, labelling and disembedding in autism", Journal of Child Psychology and Psychiatry, 44(4):543-551.
[ abstract]
Hiroyuki Hirose, Masaya Kubota, Ikumi Kimura, Masato Yumoto, Yoichi Sakakihara (2003), "N100m in children possessing absolute pitch", Neuroreport, 14(6):899-903.
[abstract]
K Itoh, K Miyazaki, T Nakada (2003), "Ear advantage and consonance of dichotic pitch intervals in absolute-pitch possessors", Brain and Cognition, 53:464-471.
AR Kilgour, LS Jakobson, Lola L Cuddy, (2003), "Time-tagging: a key to musicians' superior memory", Music Perception, 20:307-313.
Dennis J Lee, Yi Chen, Gottfried CA Schlaug (2003), "Corpus callosum: musician and gender effects", Neuroreport, 14(2):205-209.
[abstract]
Daniel J Levitin, Robert J Zatorre (2003), "On the nature of early music training and absolute pitch: a reply to Brown, Sachs, Cammuso, and Folstein", Music Perception, 21(1):105-110.
[ abstract]
Isabella Peretz, Krista L Hyde (2003), "What is specific to music processing? Insights from congenital amusia", Trends in Cognitive Sciences, 7(8):362-367.
[ abstract]
I Peretz, S Champod, K Hyde (2003), "Varieties of musical disorders: the Montreal battery of evaluation of amusia", Annals of the New York Academy of Science, 999:58-75.
Judy Plantinga, Laurel J Trainor (2003) "Long-term memory for pitch in six-month-old infants", Annals of the New York Academy of Science, 999:520-521.
David A Ross, Ingrid R Olson, John C Gore (2003), "Cortical plasticity in an early blind musician: an fMRl study", Magnetic Resonance Imaging, 21(7):821-828.
[ abstract]
David A Ross, Ingrid R Olson, John C Gore (2003), "Absolute pitch does not depend on early musical training", Annals of the New York Academy of Science, 999:522-526.
[ abstract]
Frank A Russo, Deborah L Windell, Lola L Cuddy, (2003), "Learning the 'special note': evidence for a critical period for absolute pitch acquisition". Music Perception, 21(1):119-127.
[ abstract]
JR Saffran (2003), "Absolute pitch in infancy and adulthood: the role of tonal structure", Developmental Science, 6:35-43.
[ abstract]
EG Schellenberg, SE Trehub (2003), "Good pitch memory is widespread", Psychological Science, 14:262-266.
[PDF]
Steven A Sparr (2003), "Amusia and musicogenic epilepsy", Current Neurology and Neuroscience Reports, 3(6):502-507.
[ abstract]
Sandra E Trehub (2003), "The developmental origins of musicality", Nature Reviews Neuroscience, 6(7):669-673.
[PDF]
Oliver Vitouch (2003), "Absolutist models of absolute pitch are absolutely misleading" Music Perception, 21(1):111-117.
[ abstract]
JD Warren, S Uppenkamp, RD Patterson, TD Griffiths (2003), "Analyzing pitch chroma and pitch height in the human brain", Annals of the New York Academy of Science, 999:212-14.
JD Warren, S Uppenkamp, RD Patterson, TD Griffiths (2003), "Separating pitch chroma and pitch height in the human brain", Proceedings of National Academy of Sciences, 100(17):10038-10042.
RJ Zatorre (2003), "Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function", Nature Neuroscience, 6:692-695.
[PDF]

		Bibliography on absolute pitch (2003)
	front page 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1980s 1970s 1960s 1950s 1940s 1930s 1920s 1910s 1900s 19th century glossary links	Paulo E Andrade, Joydeep Bhattacharya (2003), "Brain tuned to music", Journal of the Royal Society of Medicine, 96:284-287. [html] Laura Bischoff-Renninger, Roni I Granot, Emanuel Donchin (2003), "Absolute pitch and the P300 component of the event-related potential: an exploration of variables that may account for individual differences", Music Perception, 20(4):357-382. [ abstract] A Bonnel, L Mottron, I Peretz, M Trudel, E Gallun, AM Bonnel (2003), "Enhanced pitch sensitivity in individuals with autism: a signal detection analysis", Journal of Cognitive Neuroscience, 15(2):226-235. [PDF] Walter A Brown, Karen Cammuso, Henry Sachs, Brian Winklosky, Julie Mullane, Raphael Bernier, Sarah Svenson, Deborah Arin, Beth Rosen-Sheidley, Susan E Folstein (2003), "Autism-related language, personality, and cognition in people with absolute pitch: results of a preliminary study", Journal of Autism and Developmental Disorders, 33(2):163-167. [ abstract] CS Chin (2003), "The development of absolute pitch: a theory concerning the roles of music training at an early developmental age and individual cognitive style", Psychology of Music, 31(2):155-171. [ abstract] D Deutsch (2003), "Absolute pitch - a connection between music and speech?", Bulletin of Psychology and the Arts, 4:19-21. Jessica M Foxton, Mary E Stewart, Louise Barnard, Jacqui Rodgers, Allan H Young, Gregory O'Brien, Timothy D Griffiths (2003), "Absence of auditory 'global interference' in autism", Brain, 126(12):2703-2709. [abstract] N Gaab, J P Keenan, G Schlaug (2003), "The effects of gender on the neural substrates of pitch memory", Journal of Cognitive Neuroscience, 15(6):810-820. [abstract] N Gaab, G Schlaug (2003), "The Effect of musicianship on pitch memory in performance matched groups", Neuroreport, 14:2291-2295. [abstract] Pamela Heaton (2003), "Pitch memory, labelling and disembedding in autism", Journal of Child Psychology and Psychiatry, 44(4):543-551. [ abstract] Hiroyuki Hirose, Masaya Kubota, Ikumi Kimura, Masato Yumoto, Yoichi Sakakihara (2003), "N100m in children possessing absolute pitch", Neuroreport, 14(6):899-903. [abstract] K Itoh, K Miyazaki, T Nakada (2003), "Ear advantage and consonance of dichotic pitch intervals in absolute-pitch possessors", Brain and Cognition, 53:464-471. AR Kilgour, LS Jakobson, Lola L Cuddy, (2003), "Time-tagging: a key to musicians' superior memory", Music Perception, 20:307-313. Dennis J Lee, Yi Chen, Gottfried CA Schlaug (2003), "Corpus callosum: musician and gender effects", Neuroreport, 14(2):205-209. [abstract] Daniel J Levitin, Robert J Zatorre (2003), "On the nature of early music training and absolute pitch: a reply to Brown, Sachs, Cammuso, and Folstein", Music Perception, 21(1):105-110. [ abstract] Isabella Peretz, Krista L Hyde (2003), "What is specific to music processing? Insights from congenital amusia", Trends in Cognitive Sciences, 7(8):362-367. [ abstract] I Peretz, S Champod, K Hyde (2003), "Varieties of musical disorders: the Montreal battery of evaluation of amusia", Annals of the New York Academy of Science, 999:58-75. Judy Plantinga, Laurel J Trainor (2003) "Long-term memory for pitch in six-month-old infants", Annals of the New York Academy of Science, 999:520-521. David A Ross, Ingrid R Olson, John C Gore (2003), "Cortical plasticity in an early blind musician: an fMRl study", Magnetic Resonance Imaging, 21(7):821-828. [ abstract] David A Ross, Ingrid R Olson, John C Gore (2003), "Absolute pitch does not depend on early musical training", Annals of the New York Academy of Science, 999:522-526. [ abstract] Frank A Russo, Deborah L Windell, Lola L Cuddy, (2003), "Learning the 'special note': evidence for a critical period for absolute pitch acquisition". Music Perception, 21(1):119-127. [ abstract] JR Saffran (2003), "Absolute pitch in infancy and adulthood: the role of tonal structure", Developmental Science, 6:35-43. [ abstract] EG Schellenberg, SE Trehub (2003), "Good pitch memory is widespread", Psychological Science, 14:262-266. [PDF] Steven A Sparr (2003), "Amusia and musicogenic epilepsy", Current Neurology and Neuroscience Reports, 3(6):502-507. [ abstract] Sandra E Trehub (2003), "The developmental origins of musicality", Nature Reviews Neuroscience, 6(7):669-673. [PDF] Oliver Vitouch (2003), "Absolutist models of absolute pitch are absolutely misleading" Music Perception, 21(1):111-117. [ abstract] JD Warren, S Uppenkamp, RD Patterson, TD Griffiths (2003), "Analyzing pitch chroma and pitch height in the human brain", Annals of the New York Academy of Science, 999:212-14. JD Warren, S Uppenkamp, RD Patterson, TD Griffiths (2003), "Separating pitch chroma and pitch height in the human brain", Proceedings of National Academy of Sciences, 100(17):10038-10042. RJ Zatorre (2003), "Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function", Nature Neuroscience, 6:692-695. [PDF]