bib absolute pitch (2004)

Bibliography on absolute pitch (2004)

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19th century
glossary
links

Terry Bossomaier, Allan Snyder (2004), "Absolute pitch accessible to everyone by turning off part of the brain?", Organized Sound, 9(2):181-189.
[ abstract] [PDF]
D Deutsch, T Henthorn, M Dolson (2004), "Absolute pitch, speech, and tone language: some experiments and a proposed framework", Music Perception, 21:339-356.
[ abstract] [PDF]
D Deutsch, T North, M Dolson (2004), "Speech patterns heard early in life influence later perception of the tritone paradox", Music Perception, 21:357-372.
JM Foxton, JL Dean, R Gee, I Peretz, TD Griffiths (2004), "Characterisation of deficits in pitch perception underlying 'tone deadfness'", Brain, 127:801-810.
F Gougoux, F Lepore, M Lassonde, P Voss, RJ Zatorre, P Belin (2004), "Pitch discrimination in the early blind" (brief communications), Nature, 430:309.
[PDF]
RH Hamilton, A Pascual-Leone, G Schlaug (2004), "Absolute pitch in blind musicians", Neuroreport, 15(5):803-806.
[abstract]
Hiroyuki Hirose, Masaya Kubota, Ikumi Kimura, Masato Yumoto, Yoichi Sakakihara (2004), "N100m in adults possessing absolute pitch", Neuroreport, 15(9):1383-1386.
[abstract]
K Miyazaki (2004), "Recognition of transposed melodies by absolute-pitch possessors", Japanese Psychol. Research, 46:270-282.
Ken'ichi Miyazaki (2004), "How well do we understand absolute pitch?", Acoustical Science and Technology, 25(6):426-432.
[PDF]
[AP-like phenomena: (1) absolute tonality, (2) long-term memory of pitch of repeatedly heard tunes, (3) specific patterns of pitch comparison in the tritone paradox, and (4) fixed pitch levels in speech]
Joanna L Mountain, Neil Risch (2004), "Assessing genetic contributions to phenotypic differences among 'racial' and 'ethnic' groups", Nature Genetics, 36:S48-S53.
[html]
David A Ross, Ingrid R Olson, Lawrence E Marks, John C Gore (2004), "A nonmusical paradigm for identifying absolute pitch possessors", Journal of the Acoustical Society of America , 116(3):1793-1799.
[ abstract]
A Sakakibara (2004), "Why are people able to acquire absolute pitch only during early childhood?: Training age and acquisition of absolute pitch", Japanese Journal of Educational Psychology, 52:485-496.
[abstract]
Chen-Gia Tsai (2004), "Absolute pitch: studies in cognitive psychology" (in Chinese), Guandu Music Journal, 1:77-92.
[PDF]
Ronald G Weisman, Milan G Njegovan, Mitchel T Williams, Jerome S Cohen, Christopher B Sturdy (2004) "A behavior analysis of absolute pitch: sex, experience, and species", Behavioural Processes, 66(3):289-307.
[ abstract]

		Bibliography on absolute pitch (2004)
	front page 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1980s 1970s 1960s 1950s 1940s 1930s 1920s 1910s 1900s 19th century glossary links	Terry Bossomaier, Allan Snyder (2004), "Absolute pitch accessible to everyone by turning off part of the brain?", Organized Sound, 9(2):181-189. [ abstract] [PDF] D Deutsch, T Henthorn, M Dolson (2004), "Absolute pitch, speech, and tone language: some experiments and a proposed framework", Music Perception, 21:339-356. [ abstract] [PDF] D Deutsch, T North, M Dolson (2004), "Speech patterns heard early in life influence later perception of the tritone paradox", Music Perception, 21:357-372. JM Foxton, JL Dean, R Gee, I Peretz, TD Griffiths (2004), "Characterisation of deficits in pitch perception underlying 'tone deadfness'", Brain, 127:801-810. F Gougoux, F Lepore, M Lassonde, P Voss, RJ Zatorre, P Belin (2004), "Pitch discrimination in the early blind" (brief communications), Nature, 430:309. [PDF] RH Hamilton, A Pascual-Leone, G Schlaug (2004), "Absolute pitch in blind musicians", Neuroreport, 15(5):803-806. [abstract] Hiroyuki Hirose, Masaya Kubota, Ikumi Kimura, Masato Yumoto, Yoichi Sakakihara (2004), "N100m in adults possessing absolute pitch", Neuroreport, 15(9):1383-1386. [abstract] K Miyazaki (2004), "Recognition of transposed melodies by absolute-pitch possessors", Japanese Psychol. Research, 46:270-282. Ken'ichi Miyazaki (2004), "How well do we understand absolute pitch?", Acoustical Science and Technology, 25(6):426-432. [PDF] [AP-like phenomena: (1) absolute tonality, (2) long-term memory of pitch of repeatedly heard tunes, (3) specific patterns of pitch comparison in the tritone paradox, and (4) fixed pitch levels in speech] Joanna L Mountain, Neil Risch (2004), "Assessing genetic contributions to phenotypic differences among 'racial' and 'ethnic' groups", Nature Genetics, 36:S48-S53. [html] David A Ross, Ingrid R Olson, Lawrence E Marks, John C Gore (2004), "A nonmusical paradigm for identifying absolute pitch possessors", Journal of the Acoustical Society of America , 116(3):1793-1799. [ abstract] A Sakakibara (2004), "Why are people able to acquire absolute pitch only during early childhood?: Training age and acquisition of absolute pitch", Japanese Journal of Educational Psychology, 52:485-496. [abstract] Chen-Gia Tsai (2004), "Absolute pitch: studies in cognitive psychology" (in Chinese), Guandu Music Journal, 1:77-92. [PDF] Ronald G Weisman, Milan G Njegovan, Mitchel T Williams, Jerome S Cohen, Christopher B Sturdy (2004) "A behavior analysis of absolute pitch: sex, experience, and species", Behavioural Processes, 66(3):289-307. [ abstract]