bib absolute pitch (2006)

Bibliography on absolute pitch (2006)

front page
2010
2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1980s
1970s
1960s
1950s
1940s
1930s
1920s
1910s
1900s
19th century
glossary
links

Phineas De Thornley (2006), "Synaesthesia : pitch-colour isomorphism in RGB-space?", Cortex, 42(2):164-174.
D Deutsch (2006), "The enigma of absolute pitch", Acoustics Today, 2:11-19.
[PDF]
D Deutsch, T Henthorn, E Marvin, HS Xu (2006), "Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period", Journal of the Acoustical Society of America, 119:719-722.
[PDF]
Nadine Gaab, Katrin Schulze, Elif Ozdemir, Gottfried Schlaug (2006), "Neural correlates of absolute pitch differ between blind and sighted musicians", Neuroreport, 17(18):1853-1857.
[abstract]
KL Hyde, RJ Zatorre, TD Griffiths, JP Lerch, I Peretz (2006), "Morphometry of the amusic brain: a two-site study", Brain, 129:2562-2570.
G Ilie (2006) The Role of Tempo, Pitch Height, and Intensity in the Perception and Experience of Affect: A Music and Speech Evaluation Ph.D Thesis (University of Toronto).
Tiffany TY Lee, Isabelle Charrier, Laurie L Bloomfield, Ronald G Weisman, Christopher B Sturdy (2006), "Frequency-range discriminations and absolute pitch in black-capped chickadees (Poecile atricapillus), mountain chickadees (Poecile gambeli), and zebra finches (Taeniopygia guttata)", Journal of Comparative Psychology, 120(3):217-228.
[ abstract]
DJ Levitin (2006) This is Your Brain on Music: The Science of a Human Obsession (Dutton). ISBN 0452288525
[google book]
Ken'ichi Miyazaki, Yoko Ogawa (2006), "Learning absolute pitch by children a cross-sectional study", Music Perception, 24(1):63-78.
[ abstract]
Adam Ockelford (2006), "Implication and expectation in music: a zygonic model", Psychology of Music, 34(1):81-142.
[ abstract]
K Ono, M Kudoh, K Shibuki (2006), "Roles of the auditory cortex in discrimination learning by rats", European Journal of Neuroscience, 23(6):1623-1632.
I Peretz (2006), "The nature of music from a biological perspective", Cognition, 100(1):1-32.
SE Trehub, EE Hannon (2006), "Infant music perception: domain-general or domain-specific mechanisms?", Cognition, 100(1):73-99.
[ "In general, human listeners process auditory sequences in a holistic manner, and non-human listeners focus on absolute aspects of individual tones"]
Jamie Ward, Elias Tsakanikos, Alice Bray (2006), "Synaesthesia for reading and playing musical notes", Neurocase, 12(1):27-34.
[ abstract]

		Bibliography on absolute pitch (2006)
	front page 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1980s 1970s 1960s 1950s 1940s 1930s 1920s 1910s 1900s 19th century glossary links	Phineas De Thornley (2006), "Synaesthesia : pitch-colour isomorphism in RGB-space?", Cortex, 42(2):164-174. D Deutsch (2006), "The enigma of absolute pitch", Acoustics Today, 2:11-19. [PDF] D Deutsch, T Henthorn, E Marvin, HS Xu (2006), "Absolute pitch among American and Chinese conservatory students: prevalence differences, and evidence for a speech-related critical period", Journal of the Acoustical Society of America, 119:719-722. [PDF] Nadine Gaab, Katrin Schulze, Elif Ozdemir, Gottfried Schlaug (2006), "Neural correlates of absolute pitch differ between blind and sighted musicians", Neuroreport, 17(18):1853-1857. [abstract] KL Hyde, RJ Zatorre, TD Griffiths, JP Lerch, I Peretz (2006), "Morphometry of the amusic brain: a two-site study", Brain, 129:2562-2570. G Ilie (2006) The Role of Tempo, Pitch Height, and Intensity in the Perception and Experience of Affect: A Music and Speech Evaluation Ph.D Thesis (University of Toronto). Tiffany TY Lee, Isabelle Charrier, Laurie L Bloomfield, Ronald G Weisman, Christopher B Sturdy (2006), "Frequency-range discriminations and absolute pitch in black-capped chickadees (Poecile atricapillus), mountain chickadees (Poecile gambeli), and zebra finches (Taeniopygia guttata)", Journal of Comparative Psychology, 120(3):217-228. [ abstract] DJ Levitin (2006) This is Your Brain on Music: The Science of a Human Obsession (Dutton). ISBN 0452288525 [google book] Ken'ichi Miyazaki, Yoko Ogawa (2006), "Learning absolute pitch by children a cross-sectional study", Music Perception, 24(1):63-78. [ abstract] Adam Ockelford (2006), "Implication and expectation in music: a zygonic model", Psychology of Music, 34(1):81-142. [ abstract] K Ono, M Kudoh, K Shibuki (2006), "Roles of the auditory cortex in discrimination learning by rats", European Journal of Neuroscience, 23(6):1623-1632. I Peretz (2006), "The nature of music from a biological perspective", Cognition, 100(1):1-32. SE Trehub, EE Hannon (2006), "Infant music perception: domain-general or domain-specific mechanisms?", Cognition, 100(1):73-99. [ "In general, human listeners process auditory sequences in a holistic manner, and non-human listeners focus on absolute aspects of individual tones"] Jamie Ward, Elias Tsakanikos, Alice Bray (2006), "Synaesthesia for reading and playing musical notes", Neurocase, 12(1):27-34. [ abstract]