Bibliography on absolute pitch (2008)

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  1. JN Brenton, SP Devries, C Barton, H Minnich, DK Sokol (2008), "Absolute pitch in a four-year-old boy with autism", Pediatric Neurology, 39(2):137-138.
    [ abstract]

  2. Jean-Pierre Chartrand, Isabelle Peretz, Pascal Belin (2008), "Auditory recognition expertise and domain specificity", Brain Research, 1220:191-198.
    [ abstract]

  3. N di Carlo (2008), "Role of proprioceptive memory in a professional opera singer's absolute pitch", Journal of Experimental Voice Research, 1(2), 34-39.

  4. J Hanggi, G Beeli, MS Oechslin, L Jancke (2008), "The multiple synaesthete E.S.: neuroanatomical basis of interval-taste and tone-colour synaesthesia", Neuroimage, 43(2):192-203.
    [ abstract]

  5. Pamela Heaton, R Allen, K Williams, O Cummins, F Happé (2008), "Do social and cognitive deficits curtail musical understanding? evidence from Autism and Down syndrome", British Journal of Developmental Psychology, 26(2):171-182.
    [ abstract]

  6. Pamela Heaton, R Davis, F Happe (2008), "Exceptional absolute pitch perception for spoken words in an able adult with autism", Neuropsychologia, 46(7):2095-2098.
    [ abstract]

  7. Pamela Heaton, Kerry Williams, Omar Cummins, Francesca Happé (2008), "Autism and pitch processing splinter skills", Autism, 12(2):203-219.
    [ abstract]

  8. IH Hsieh, K Saberi (2008), "Dissociation of procedural and semantic memory in absolute-pitch processing", Hearing Research, 240(1-2):73-79.

  9. IH Hsieh, K Saberi (2008), "Language-selective interference with long-term memory for musical pitch", Acta Acustica united with Acustica, 94:588-593.

  10. H Kim, S Bao (2008), "Distributed representation of perceptual categories in the auditory cortex", Journal of Computational Neuroscience, 24(3):277-290.

  11. CY Lee, TH Hung (2008), "Identification of Mandarin tones by English-speaking musicians and nonmusicians", Journal of Acoustical Society of America, 124(5):3235-3248.
    [ abstract]

  12. JH McDermott, AJ Oxenham (2008), "Music perception, pitch, and the auditory system", Current Opinion in Neurobiology, 18(4):4523-463.
    [ abstract]

  13. Aniruddh Patel (2008) Music, Language, and the Brain (Oxford University Press). ISBN 0199755302, 9780199755301
    [google book]

  14. Linda Pring, Katherine Woolf, Valerie Tadic (2008), "Melody and pitch processing in five musical savants with congenital blindness", Perception, 37(2):290-307.
    [ abstract]

  15. E Glenn Schellenberg, I Peretz (2008), "Music, language, and cognition: unsolved issues", Trends in Cognitive Sciences, 12:45-16.
    [PDF]

  16. E Glenn Schellenberg, Sandra E Trehub (2008), "Is there an Asian advantage for pitch memory?", Music Perception, 25(3):241-252
    [ abstract] [PDF]

  17. Nicholas A Smith, Mark A Schmuckler (2008), "Dial A440 for absolute pitch: absolute pitch memory by non-absolute pitch possessors", Journal of the Acoustical Society of America, 123(4):EL77-EL84.
    [ abstract]

  18. Christopher B Sturdy (2008). "Thinking outside the box: A tribute to the contributions of Ronald G. Weisman" (editorial), Behavioural Processes, 77(2):139-141.
    [ abstract]

  19. David Temperley, Elizabeth West Marvin (2008), "Pitch-class distribution and the identification of key", Music Perception, 25(3):193-212.
    [ abstract]

  20. Sandra E Trehub, E Glenn Schellenberg, T Nakata (2008), "Cross-cultural perspectives on pitch memory", Journal of Experimental Child Psychology, 100(1):40-52.
    [ abstract]

  21. C Wu, IJ Kirk, JP Hamm, VK Lim (2008), "The neural networks involved in pitch labeling of absolute pitch musicians", Neuroreport, 19(8):851-854.

  22. Robert J Zatorre, Jackson T Gandour (2008), "Neural specializations for speech and pitch: moving beyond the dichotomies", Philosophical Transactions of Royal Society of London: B. Biological Sciences , 363(1493):1087-104.