Bibliography on absolute pitch (1920-1929)

front page
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
1997
1996
1995
1994
1993
1992
1991
1990
1980s
1970s
1960s
1950s
1940s
1930s
1920s
1910s
1900s
19th century
glossary
links

    + 1929

  1. Mortimer Jerome Adler (1929) Music Appreciation: An Experimental Approach to its Measurement Ph.D Thesis (Columbia University).

  2. HS Langfeld (1929), "Synesthesia", Psychological Bulletin, 26(9):582-585.
    [abstract]

  3. L Weinert (1929), "Untersuchungen uber das absolute Gehor" (in German), Archiv fur die gesamte Psychologie, 73:1-128.

    + 1928

  4. CA Ruckmick (1928), "Facts and theories of audition", Psychological Bulletin, 25(4):229-244.
    [abstract]

  5. WE Ward (1928), "Absolute pitch", The Musical Times, 69:1025.
    [ abstract]

    + 1927

  6. CA Ruckmick (1927), "Auditory sensations and related phenomena", Psychological Bulletin, 24(2):81-99
    [abstract]

    + 1925

  7. W Bartholomew (1925), A study of absolute pitch ability, Master Thesis, George Washington University. 123 pages.

  8. Helen K Mull (1925), "The acquisition of absolute pitch", American Journal of Psychology, 36:469-493.

    + 1924

  9. M Meyer (1924), The Science of Tone-Color (C.C. Birchard & Co., Boston).
    [PDF]

    + 1923

  10. M Schoen (1923), "The validity of tests of musical talent", Journal of Comparative Psychology, 3(2):101-121.
    [abstract]

    + 1922

  11. Knight Dunlap (1922), The Elements of Scientific Psychology (C.V. Mosby company).
    [google book]

  12. Evelyn Gough (1922) [or Evelyn Gough Bacon?], "The effects of practice on judgements of absolute pitch", Archives de Psychologie, 7(47):1-93.

    + 1921

  13. M Schoen (1921), "Recent literature on the psychology of the musician", Psychological Bulletin, 18(9):483-489
    [abstract]