Bibliography on absolute pitch (1960-1969)

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    + 1969

  1. D Deutsch (1969), "Music recognition", Psychological Review, 76:300-309.
    [PDF]

  2. DC Sergeant (1969) Pitch Perception and Absolute Pitch: Some Aspects of Musical Development Ph.D Thesis (University of Reading).

  3. D Sergeant (1969) "Experimental investigation of absolute pitch", Journal of Research in Music Education, 17(1):135-143.

  4. WA Wickelgren (1969), "Associative strength theory of recognition memory for pitch", Journal of Mathematical Psychology, 6:13-61.

    + 1968

  5. LL Cuddy (1968), "Practice efects in the absolute judgement of pitch", Journal of the Acoustic Society of America, 43:1069-1076.

    + 1967

  6. John R Bergan (1967), "The relationships among pitch identification, imagery for musical sounds, and musical memory", Journal of Research in Music Education, 15(2):99-109.
    [ abstract]

  7. Carl Emil Seashore (1967), Psychology of Music , (Courier Dover). ISBN 0486218511
    [google book]

    + 1966

  8. WA Wickelgren (1966), "Consolidation and retroactive interference in short-term recogniztion memory for pitch", Journal of Experimental Psychology, 72:250-259.

    + 1965

  9. HS Korpell (1965), "On the mechanism of tonal chroma in absolute pitch", American Journal of Psychology, 78:298-300.

    + 1964

  10. RN Shepard (1964), "Circularity in judgements of relative pitch", Journal of the Acoustic Society of America, 36:2346-2353.

    + 1963

  11. WD Ward (1963), "Absolute pitch: part I", Sound, 2:14-21.

  12. WD Ward (1963) "Absolute pitch: part II", Sound, 2:33-41.

    + 1961

  13. JB Carroll, JH Greenberg (1961), "Two cases of synaesthesia for color and musical tonality associated with absolute pitch", Perceptual and Motor Skills, ?:?-?