Bibliography on absolute pitch (1970-1979)

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    + 1979

  1. Emmeline M Litke, Clifford C Olsen (1979), "Acquiring relative pitch perception as a function of age", Journal of Research in Music Education, 27(4):243-254.
    [ abstract]

    + 1978

  2. EM Burns, WD Ward (1978) "Categorical perception - phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals", Journal of the Acoustic Society of America, 63:456-468.

  3. Jurgen Meyer (1978), "The Dependence of Pitch on Harmonic Sound Spectra", Psychology of Music, 6:3-12.

  4. Rudolf E. Radocy (1978), "Some Unanswered Questions in Musical Perception", Psychology of Music, 6:47-54.

    + 1977

  5. JA Siegel, W Siegel (1977), "Absolute identification of notes and intervals by musicians", Perception and Psychophysics, 21:143-152.

  6. PE Vernon (1977), "Absolute pitch: a case study", British Journal of Psychology, 68:485-489.

    + 1975

  7. John B Carroll (1975), "Speed and accuracy of absolute pitch judgements: some latter-day results", report (Educational Testing Service, Princeton NJ).
    [PDF]

    + 1974

  8. Jon Baggaley (1974), "Measurement of Absolute Pitch", Psychology of Music, 2:11-17.

  9. AP Costall (1974) Memory Processes in Absolute Judgements of Pitch and Loudness Ph.D Thesis (in Musicology) (University of Birmingham).

  10. JA Siegel (1974), "Sensory and verbal coding strategies in subjects with absolute pitch", Journal of Experimental Psychology, 103:37-44.

    + 1976

  11. Michael Kubovy, Fred P Howard (1976), "Persistence of a pitch-segregating echoic memory", Journal of Experimental Psychology: Human Perception and Performance, 2(4):531-537.
    [abstract]

    + 1973

  12. EK Corliss (1973), "Remark on 'fixed-sclae mechanism of absolute pitch'", Journal of the Acoustical Society of America, 53:1737-1739.

  13. DC Sergeant, S Roche (1973), "Perceptual shifts in the auditory information processing of young children", Psychology of Music, i/1:39-48.

  14. VT Wynn (1973), "Absolute pitch in humans, its variations and possible connections with other known rhythmic phenomena", in eds. GA Kerkut, JW Phillis Progress in Neurobiology, Vol.1 Part 2 pp.111-149 (Pergamon Press).

  15. VT Wynn (1973), "Accuracy and consistency of absolute pitch", Perception, 22(1):113-121.

    + 1972

  16. W Fullard, GF Snelbecker, S Wolk (1972), "Absolute judgements as a function of stimulus uncertainty and temporal effects: methodological note", Perceptual and Motor Skills, 34:379-382.

  17. A Rakowski (1972), "Direct comparison of absolute and relative pitch", in ed. FA Bilsen Symposium on Hearing Theory, pp. 105-108.

  18. JA Siegel (1972), "The nature of absolute pitch", in ed. E Gordon Experimental Research in the Psychology of Music: VIII. Studies in the Psychology of Music , pp.65-89 (Iowa University Press).

  19. Jane A Siegel, William Siegel (1972), "Absolute judgment and paired-associate learning: Kissing cousins or identical twins?", Psychological Review, 79(4):300-316
    [abstract]

  20. VT Wynn (1972), "Absolute pitch revisited", British Journal of Psychology, 83:129-131.

  21. VT Wynn (1972), "Measurements of small variations in 'absolute' pitch", Journal of Physiology, 220:627-637.

    + 1971

  22. LL Cuddy (1971), "Absolute judgment of musically-related pure tones", Canadian Journal of Psychology/Revue Canadienne de Psychologie, 25(1):42-55.
    [abstract]

    + 1970

  23. PT Brady (1970), "Fixed-scale mechanism of absolute pitch", Journal of the Acoustic Society of America, 48:883-887.
    [abstract]
    [This author trained himself to achieve 65% exactly correct performance in AP test (97% with +/- semitone error) ]

  24. LL Cuddy (1970), "Training the absolute identification of pitch", Perception and Psychophysics, 8:265-269.

  25. RG Stanaway, Tania Morley, S M Anstis (1970), "Tinnitus not a reference signal in judgments of absolute pitch", The Quarterly Journal of Experimental Psychology, 22(2):230-238.
    [ abstract]